Rock'n'Russia
The Latest: Mumiy Troll Updates (Sept. 2001)
If there is anything
emblematic of rock'n'roll, it is heart. It is good to see the rock
spirit alive and well in Russia. There is hope for us all.
One could argue that rock'n'roll so permeates the modern music experience
from pop to cult from jazz to classical, that this categorization lacks
meaning. I have given my meaning in the first sentence above.
It goes without saying that
the continuing situation in Russia requires of its people some significant
measure of indominability to get through each day. They are famous for
this throughout history.
Regardless of whether you believe
my B.S., you owe it to yourself to check out bands like Inna and the Farlanders
and Mumiy Troll.
Inna
and the Farlanders--
There
are two versions of the current Farlanders albums in my hands overlap in
10 out of twelve songs. I talk first here about the Russian version, which
is the better of the two, in my opinion.
It starts off with the
sound of acoustic guitars in the distance as if one were rounding a path
in a part and encountering a jam in a half-hidden music shell. The intensity
quickly rises and we are suddenly face up to a dance of lilting reeds and
a very tight electrified bass and drum. The haunting beauty of Inna Zhelannaya's
voice is striking, insistent in its charms. I don't understand a word.
I wish I did. It doesn't matter. Her backing is a bunch of guys mostly
named Sergei and they are all quite good, giving us a rich stew of ethnic
bravado and virtuoso jazz rock riffing.
The version released in
the U.S. trades includes two new songs but loses two from the Russian version.
(I like the Russian selection better.) It also rearranges the order of
the music, starting the album off rather bravely, I thought, with the jazziest
number, Twilight, a polyrythmic tour-de-force topped by Inna's oddly-keyed
vocal. Given that the blurb on the CD cover categorizes the music as "folk
rock" I can imagine some jaws dropping at the listening kiosk on this one.
Not much like, say, Crosby, Stills & Nash, but many adventurous fans of
bands like that may still get a kick of Inna's tightly rocking ensemble.
This kind of multi-influenced music defies easy categorization, but I would
have to believe that Inna and the Farlanders would be a sure hit with audience
attuned to jazz fusion, .
Mumiy
Troll--
And how about Mumiy Troll!? Simply one of the most dynamic
bands in the world today. You don't have to take my
word for it. There is a generous lot
of sound out at their official
website. Or, at least there was, recently they're been
revamping it. It is only viewable with IE5 at the moment, and the
English version is also missing, but this is due to be corrected
soon, perhaps already by the time you're reading this.
In their CD called Ikra (Caviar), this band recasts classic
rock'n'roll with clever twists and turns, along with a good dose of amiable
panache. To my ears, there are evocations of ZZTop, Bruce Springsteen,
and Jethro Tull. Throw in a little new wave, some soul, and one very cheeky
dance number, and you have one awesome party record.
All lyrics are in Russian
and I don't understand a stitch. It doesn't matter. Charismatic lead singer
Ilia Lagoutenko's supple voice gets all measure of all those Russian syllabyllic
distinctions.
My good friend Gleb provides
these translation's of
1. Dolya Riska (Piece of
Risk)
2. Shamamany (Shama-ma-ns)
3. Siamskiye Serdtsa (Siam
Hearts)
4. Ne Zvezda (Not A Star)
5. Del'finy (Dolphins)
6. Ranetka (This word doesn't
exist in any dictionary. Sort of a nickname for a girl)
7. Na Yady (_on Poisons_
or _with poisons_)
8 Tak Nado (_The Only Way_
or _It is a must_)
9. Almazamy (By Diamonds)
10. Signaly (Signals)
11. Mal'chik Soldat (A
Boy [is a] Soldier)
12. Golod (Hunger/Starvation)
13. Sayonara Diska (can't
translate - something danceable with japanese accent)
14. Daleko (Far Away)
These guys should be world famous.
Mumiy Troll Updates (Sept. 2001)
(The mention of a US tour was apparently just one date in New York that
year, as far as I can tell.)
These selections came to
me via my good friend Gleb who has done more to open my ears to a variety
of music which is rarely heard on these shores. (Be sure to check out Gleb's
long-standing Moscow site):
Update coming! review of Linda's White album!
Footnote: Linda arrives. While browsing the World music bins at the Harvard Square HMV recently, I was pleasantly surprised to find the CD Placenta by Linda. I have long been struck by her singularly fascinating music videos. On the audio CD, I am missing something from not having the visual images (and it's not much help, me not knowing the language). To me, the CD is uneven, with a handful of very strong songs with others that seem a little too formulaic, but with interesting quirks throughout. Linda: perhaps a Russain Madonna for the next age, bad girl rep and all. I'll be keeping my eyes and ears out for more from her.
Feedback is
always welcome.